Private viewings by appointment
Johnson Zuze
Scrap metal sculpture · Harare, Zimbabwe

Harare → Seattle · September 2026

Bottle caps, broken glass and poacher snares, rebuilt into the animals themselves.

A collection of works just arrived in Seattle: various sculptures by the self-taught Zimbabwean artist Johnson Zuze, made entirely from what Harare throws away, and found items that would otherwise be waste.

Life-size elephant covered in coloured bottle caps and plastic
Chameleon covered in blue and teal bottle caps
Warthog built from wire, bottle caps and brass tusks
Horse sculpture made from red and black salvaged cable
The artist twisting wire with pliers on a brick courtyard
A child meeting a finished wire ram in the studio garden

“Transforming waste. Honoring life.”

Every work in this collection began as rubbish. Zuze gathers what Harare throws away, then builds each animal by hand, wire by wire, at the scale of the living creature. Nothing is cast, moulded or repeated. Each piece is one of one.

A smiling Jonathan stands in front of a bright orange wall featuring his colorful abstract mosaic artwork.

The Artist

Johnson Zuze

Born in 1985 and self-taught mixed media artist, Zuze works from Harare and Chitungwiza, building sculpture and installation out of what the city discards — wire, plastic bottles, glass, rubber, electronics and scrap metal, much of it collected from the dump grounds near his home.

His most charged material is the snare: wire loops set by poachers to catch wild animals, recovered from Gonarezhou National Park and the Save Valley Conservancy and rewound by hand into the animals they were made to kill. The work has been shown internationally, took the Zimbabwean National Arts Merit Award in 2016, and filled Gallery Delta in Harare for the 2018 Animal Kingdom exhibition.

Born
1985, Zimbabwe
Studio
Harare & Chitungwiza
Recognition
National Arts Merit Award, 2016

What the work is made of

Sourced entirely from waste

Wire & snares

The armature

Every sculpture starts as a hand-wound wire skeleton, built without a mould. Much of the wire is recovered poacher snare — the material of threat, turned into the animal.

Caps & plastic

The skin

Bottle caps, crushed plastic, broken glass and rubber are threaded and lashed into the frame to give each animal its color, hide and weight. Color is collected from found items, never painted on.

Found metal

The detail

Discarded electronics, tooling, cable and scrap steel become horns, tusks, hooves and faces. Salvage decides the detail, so no two pieces resolve the same way.

The artist on a ladder building a large elephant head from wire and caps
Built at life scaleThe wire armature goes up first, without a mould or a cast.
Hands twisting wire with pliers beside a working drawing on a brick courtyard
Joined by handEvery cap, shard and length of wire is cut and twisted into place by hand by Johnson himself.
A child standing with a finished wire ram in the studio garden
Finished in the gardenCompleted works rest in the studio garden in Harare before they travel.

The Zuze Collection

Each work of art is unique · One of One

Acquiring a piece

Available by inquiry

Works are sold individually and priced on request. Tell us which piece interests you and we will send dimensions, weight, and price, along with delivery and installation options.

Send an inquiry
Robert Moehringmaurese@me.com